Now initially this might start off sounding all about us adults however excited adults with new learning = exciting classroom experiences !
So what was this new learning ?
You may have heard of or come across ‘process drama’. Unlike traditional drama, process drama isn't about memorising lines, wearing costumes, or always necessarily performing on stage for an audience. We were lucky as a staff to join one of our neighbouring schools in some professional development around Process Drama. We were able to immerse ourselves into the experience of creating a world and ‘owning and living’ in what we had created.
Our learning experience was a fusion of science and the arts. The science absolutely sat within our hopes and dreams for Sustainability and our Whetukairangi Curriculum, which was exciting to think about. It opened our eyes to some different contexts and approaches we could take to engage our students in drama across different curriculum areas. There were so many links to oral language, writing, Positive Education, maths in mapping and perspective. The opportunities that we could see were so exciting.
So what did this actually look like:
Teachers around a giant bit of paper drawing and creating a land including everything we thought was important and fun to have. We had to think about inhabitants, infrastructure and general survival. We thought about all of the things we had to enjoy in life, hobbies, sports and special places that we frequent. We thought on a serious note about power sources, health and safety and education too.
By the end, we had a super creative yet somewhat unrealistic land that was surrounded by ocean. Every single landform known to man as well as a variety of public transport and systems were included ! We were totally invested and owning this land.
There were no scripts or rehearsals. Instead, we worked together to create an imaginary land, creating our own story. From this came big ideas to explore, problems to solve and perspectives to be considered.
We were faced with a real problem. We had run out of power. There were varying degrees on different parts of our island but we would soon have none. Smog and pollution were setting in and this was not looking good. We each chose a role of a person from this land and we had to stay in character pushing our perspectives and what we thought was important. We had to make decisions for our people. This was the interesting part and this is where the drama came in. As we went our story evolved.
We completed activities like - staying in character but being in a cafe. What was the conversations being over heard ?
We had to front up and be problem solvers at a meeting called by the Mayor in response to their letter explaining our situation.
Then came the science - What was possible ? We were presented with different strategies or approaches that had worked across the world. Solar energy, wind power, recycling and reusing, matauranga and ancient wisdom. We could have kept going for hours.
This was our first session. Excitement set in for us as we thought about how we could use this method for our arts celebration. It is not a science focus but an imagination focus. We are excited to see where this takes us but so far we feel as though this could be more authentically child centred and built around their stories.
In process drama, children don't just listen to a story—they live it. We will be taking ours a step further and adding music, dance and movement.
So what now ?
We are there to help guide the students into their imaginary world as a character.
We are there to facilitate discussion, group themes and of course help add the lights, camera action part of it.
We are there to help them create their messages and stories. As we watched and observed our artists at work yesterday we soon realised that our next step would be
For our Junior students, storytelling can sometimes feel abstract when confined to pencil and paper. Process drama gives children an experiential foundation before they ever pick up a pencil.
Building Narrative Structure: By acting out scenarios, students physically feel the rise and fall of a plot—identifying the beginning, encountering a problem, and working together toward a resolution.Developing Character Depth: Instead of just naming a character, children become them. They practice empathy by asking: How does this character walk? What are they feeling? What choice should they make next?
Expanding Vocabulary and Oral Language: Children hear and use new descriptive words naturally within the context of the drama. Speaking in role builds confidence in expressive language and storytelling.
The next part is telling our story through music, dance and movement.
Connection to the NZ Curriculum
Oral Language - Students practice listening actively, expressing ideas, and adapting their voice for different roles and audiences during imaginary play.
The Arts (Drama - Developing Ideas) Children initiate, develop, and structure ideas in drama, using movement, gesture, and voice to express feelings and tell stories.
Movement and Music - We take on our messages and think about what they would sound like and feel like. How would things be moving and changing over time and situation ? This won’t be the end of the learning…..




.jpg)
.jpg)



























